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Back to IMSDb. The web's largest movie script resource! Search IMSDb. Our angle looks straight up. Now an angle looking steeply down: the snow falls not quite dead away to collect on a foreground chimneypot and on the little shtetl street that lies maplike below us. It is night, and quiet, and the street is deserted except for one man who walks away from us, his valenki squeaking in the fresh snow. He carries bundled branches on one shoulder and has a hatchet tucked into his belt. We cut down to street level. The man walks toward us, bearded, and bundled against the cold.

A minute ago leave us a message here after that we will work on getting you verified. Blending dark humor with deeply personal themes, the Coen brothers bring what might be their most adult -- if not their best -- film to date. Read critic reviews. Rate this movie. Oof, that was Rotten. Meh, it passed the age.

Joel and Ethan Coen make movies akin to nobody else's, but even by their standards A Serious Man is all the rage a class by itself: a absolute original that's one of the brothers' best. After a deeply weird Yiddish folk-tale prologue set in 19th-century Poland and framed in the old 1. Larry Gopnik a superbly concentrated depiction in comic anguish by Michael Stuhlbarg is a college physics prof in front of a welter of crises and distractions: review by the tenure committee, daughter Danny's bar mitzvah, a cryptic-verging-on-sinister affirm from a Korean-American student, the disaffection of wife Judith's affections by widower Sy Ableman, the ongoing encroachment of brother Arthur and his sebaceous cyst--and don't even mention the proto-Nazi who lives next door. All these, after that more, form a screenplay of such intricacy that the blackly comic tensions of one shaggy-dog narrative strand bound synapse-like to another; the movie becomes a symphony of metaphysical dread. Effective again with world-class cameraman Roger Deakins and editing, as always, under the pseudonym Roderick Jaynes, the Coens argue impeccable control over the movie's air and timing. This is more central than ever, given that in the precarious universe they define, actions allow consequences. The main-title credits almost display the fact that most of the cast members will be unfamiliar en route for us though they all deliver ; best known are Richard Kind at the same time as Arthur, Adam Arkin as Larry's annulment lawyer, and Michael Lerner the accommodation boss in Barton Fink doing a hilarious, wordless cameo as Solomon Schlutz. Samsky, the multifariously zoned-out siren who's Larry's other next-door neighbor; and Avi Hoptman as Arlen, Larry's mealy-mouthed bookish colleague who can't resist hinting by the latest rumblings from the occupancy committee, even if he can't actually say anything. In Stock.

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