According to Aristotle, the Athenians developed tragedy first, with comedy following a generation or so later. While this assessment is essentially correct, the truth seems to have been somewhat more complicated. Comic dramas as opposed to comedy itself—that is, humorous performance pieces versus the formal genre of comedy—appear to have evolved alongside their tragic counterpart, perhaps even before it. The satyr play, in particular, which consisted of a farcical rendition of myths more often treated seriously and featured a chorus of rowdy, irreverent satyrs half-human half-animal spirits of the wilderness notorious for their lust and gluttonyemerged early in the tradition of Greek theatre, though exactly how early is not clear. Nevertheless, the historical sources for theatrical performances in the Classical Age focus largely on tragedy as the hub of early dramatic activity, even if its pre-eminence probably looks clearer in hindsight than it may have seemed in the day. Three tragedians emerge from the fifth century BCE as the principal practitioners of classical Greek tragic drama: Aeschylus, Sophocles, and Euripides.
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